Rodgers' Piano Restorations
The Best Piano Rebuilding in the Business
9091 Ox Bow Rd.   North East, PA 16428
Because  I have a great deal of work to do, I am forced to concentrate my efforts on all matters which concern the tasks before me.   Sadly, the telephone has become a constant source of interruptions to the work schedule which consist largely of people seeking free information and telemarketers.   I lose between one and two hours each day to these people when I answer the phone.   Because of this, I have been forced to shut off phone communication so that I can better serve my customers.  In addition, the email spammers have become so thick that I am getting thousands of spams per day.  They are so thick that even spam busting software cannot stop them.  The spam has flooded my email so badly that I can no longer gain access to my own email.  Even after trying a change to the email address, the spammers found us again in a very short time.  Each time I try to access my email I simply get "timed out" because of all the junk that is in the folder.   Although I would love to be able to communicate via email, I have been totally blocked from that venue by these parasites.  If you wish to communicate with me, the best method at this time is to send a letter to the address listed above.  I know this seems slow compared to other rebuilders, but it will be well worth the effort since the quality available here is of the highest order.


Restoration of a Steinway Duo-Art Reproducing Grand for the Schlieter Family

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1)  The piano is on its side and all of the components have been labeled.
2)  The first component has been removed.  (The pump)  Here the pumping pneumatics have been stripped of their old cloth.  The flap valves and hinges have been carefully gone through.  The pneumatics are now ready to be recovered.
3)  Placing new heavy bellows cloth onto one of the pumping pneumatics.

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4)  The pump is being reassembled.  All of the bearings have been dismantled, restored, packed with new grease and regulated.  One of the new gaskets (white leather) can be seen in this photo.  The gaskets are coated with shellac and then the pump quickly reassembled.  The exterior mounting plates are used to keep the pneumatics in exactly their original orientation and position.
5)  All of the pneumatics are now reassembled.
6)  Here, the pump is totally reassembled, including the electric motor which has also been gone over.  The picture shows the piece being tested with one of the original leather belts.  A new belt was purchased for the pump the next day after this picture was taken.

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7)  The modulator is being taken apart and the parts labeled.
8)  This picture show just how many parts are in the modulator.  It is very important to keep these parts labeled as it would prolong the time for rebuilding the unit extensively if the parts were lost track of.
9)  The Modulator's components have all been rebuilt and the unit is ready to be reassembled.

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10 - 11)  The reassembled Modulator.  This camera makes the exterior plated hardware look good even in its original state.  However, this hardware was in very dingy condition.  All of these components have been carefully polished.
12)  This is a before picture of the expression device.  You can see that the rear of the unit appears to have something missing...  In fact, the device that controls the dynamic level of the music has (as usual) disintegrated since the factory originally covered these devices with pouch leather which disintegrates leaving the devices (called Accordion Pneumatics) in a heap.  In the case of this piano, some of the parts to the accordion pneumatics were scattered around in strange places under the piano as well.  Fortunately, the parts were still present.

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13)  Another picture of the expression unit before rebuilding.
14)  The core of the expression unit, called the expression box, had to be cracked open in order to replace the large pouches inside the unit.  When gluing this box back together a thin layer of leather was laid in the joint to make future restorations more easily done and safer for the expression box itself.
15)  The many parts of the accordion pneumatics have been gathered together and their locations and orientation established and marked.  Here, you see all the parts cleaned up and ready to be recovered.  This time, it will be covered with very thin pneumatic cloth to make the pneumatics more stable and longer lived.

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16)  The Accordions have been recovered and reassembled into their carriages.   Now the travel of the accordions is being set to establish the dynamic changes that they will create.
17)  Here, you can see the expression box after being restored and glued back together.  You can see the joint that now contains the leather gasket.  By looking at the complexity of the inner walls, it becomes obvious how complex this gasket had to be.  This box has been sanded free of all the original black paint so that the wood joints could be exposed in order to be able to split the box apart.
18)  Looking down inside the expression box, you can see the pouches inside that had to be replaced.  On the right side, you can see red felt dots that are attached to flap valves that were also replaced.

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19)  This is a before picture of the valve box that controls the accordion pneumatics and thence the volume of the playing.
20)  The same box after restoration.  The pouches on this device were in remarkably bad condition.  Some of them had rotted right off of the wood.
21 - 23)  Pictures of the completed expression device.  The only thing yet to do is to test and regulate the unit on the bench before reinstallation.
24)  The wind motor governor dismantled and ready for restoration.  This unit, too, has a very large number of parts.

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